1
00:00:46,940 --> 00:00:48,960
Chick, come on, what's keeping you?

2
00:01:05,390 --> 00:01:06,390
Hi, Roger.

3
00:01:10,950 --> 00:01:12,130
Take those things off.

4
00:01:16,670 --> 00:01:18,490
I was expecting a kiss.

5
00:01:20,070 --> 00:01:21,070
Or a smile.

6
00:01:23,510 --> 00:01:24,770
Or at least a hello.

7
00:01:25,110 --> 00:01:26,250
The game show part.

8
00:01:26,530 --> 00:01:27,590
I got you the part.

9
00:01:27,990 --> 00:01:28,969
Come on.

10
00:01:28,970 --> 00:01:29,970
Didn't I?

11
00:01:31,670 --> 00:01:32,670
Yeah.

12
00:01:55,340 --> 00:01:56,340
Get on.

13
00:02:35,340 --> 00:02:36,279
Now try this.

14
00:02:36,280 --> 00:02:37,820
Roger, you can't be serious.

15
00:02:38,020 --> 00:02:39,700
Do it. The game show part.

16
00:02:47,100 --> 00:02:48,100
Oh.

17
00:02:50,200 --> 00:02:51,200
Oh, yeah.

18
00:02:53,060 --> 00:02:54,100
That's much better.

19
00:03:08,170 --> 00:03:10,110
The game's so hard, I got it for you.

20
00:03:11,530 --> 00:03:13,130
Harder! Don't you get any strength?

21
00:03:14,090 --> 00:03:15,090
Harder!

22
00:03:38,160 --> 00:03:39,160
No touching?

23
00:03:39,840 --> 00:03:40,840
I gotta go.

24
00:03:42,920 --> 00:03:44,300
Nothing? No.

25
00:03:45,440 --> 00:03:46,740
How about an I love you?

26
00:03:47,560 --> 00:03:50,440
I don't know. I... Why?

27
00:03:50,940 --> 00:03:53,160
I've got this new kid coming into the
office.

28
00:03:53,460 --> 00:03:55,760
I think the kid's a little flaky. I'd
lock up.

29
00:04:26,440 --> 00:04:32,520
I have lived for the past four years or
so in southern Catatonia

30
00:04:32,520 --> 00:04:37,540
on refried dreams with Josie.

31
00:04:39,920 --> 00:04:45,700
I guess we tried to make it the things
we like to do and wanted to do.

32
00:04:47,320 --> 00:04:53,040
Me with my writing and Josie with her
crazy dancing.

33
00:04:53,820 --> 00:04:54,860
Dances of life.

34
00:04:58,000 --> 00:05:03,240
I woke up this morning after a nightmare
that concerned the Los Angelization of

35
00:05:03,240 --> 00:05:04,240
the whole damn world.

36
00:05:09,160 --> 00:05:13,620
I decided to change my life and drop
into the mainstream of society.

37
00:05:19,100 --> 00:05:22,880
All that was left now was to say goodbye
to Josie.

38
00:07:08,820 --> 00:07:09,860
Josie?

39
00:07:12,300 --> 00:07:13,340
Morning,

40
00:07:14,800 --> 00:07:15,800
Josie.

41
00:07:19,020 --> 00:07:20,060
Josie,

42
00:07:20,060 --> 00:07:29,660
there

43
00:07:29,660 --> 00:07:31,000
were some kids outside.

44
00:07:31,520 --> 00:07:33,340
Yes. What?

45
00:07:33,710 --> 00:07:34,710
Kiss me again.

46
00:07:34,770 --> 00:07:36,390
No, no. Listen, I've got to tell you
this.

47
00:07:37,510 --> 00:07:38,710
There's some kids outside.

48
00:07:39,730 --> 00:07:41,570
They just wrote glyphs all over your
wall.

49
00:07:41,850 --> 00:07:42,850
Glyphs?

50
00:07:43,210 --> 00:07:45,470
Yeah, cryptic Mexican hieroglyphics.

51
00:07:46,370 --> 00:07:48,590
You know, they call them glyphs. What do
they say?

52
00:07:49,870 --> 00:07:50,870
I have no idea.

53
00:07:52,330 --> 00:07:55,150
You mean you can't read the writing on
the wall?

54
00:07:56,670 --> 00:07:57,670
It isn't funny.

55
00:07:59,530 --> 00:08:01,210
One of them pulled a knife on me.

56
00:08:01,530 --> 00:08:02,530
Are you kidding?

57
00:08:05,260 --> 00:08:06,580
You should see what they did to your
wall.

58
00:08:10,280 --> 00:08:11,280
My wall?

59
00:08:12,700 --> 00:08:13,980
Yeah. Did you forget?

60
00:08:14,260 --> 00:08:15,260
I'm leaving.

61
00:08:18,020 --> 00:08:19,400
It's your wall now.

62
00:08:20,240 --> 00:08:21,240
Stuart.

63
00:08:23,260 --> 00:08:24,920
Please. Don't cry.

64
00:08:28,740 --> 00:08:31,500
But I don't... Now look, we discussed
it.

65
00:08:33,559 --> 00:08:34,799
Better for both of us.

66
00:08:48,110 --> 00:08:54,490
me again it's my five-year plan i've
told you that you that's right my five

67
00:08:54,490 --> 00:08:58,270
-year plan damn it

68
00:08:58,270 --> 00:09:01,530
i

69
00:09:01,530 --> 00:09:06,530
don't understand

70
00:09:06,530 --> 00:09:13,210
you love me but you're leaving me
because of your five

71
00:09:13,210 --> 00:09:14,210
-year plan

72
00:09:44,270 --> 00:09:50,050
Walking outside, the feelings they hide,
putting their pride through well-known

73
00:09:50,050 --> 00:09:53,210
fate. Stranger, I know you.

74
00:09:53,990 --> 00:10:00,850
We learn to walk together, loners,
wondering whether we

75
00:10:00,850 --> 00:10:02,050
really are.

76
00:10:04,330 --> 00:10:10,750
I'd like to show you images of sister,
brother,

77
00:10:10,990 --> 00:10:13,830
standing off from one another.

78
00:10:14,040 --> 00:10:20,760
But not very far Down, down in Hollywood
town

79
00:10:20,760 --> 00:10:27,020
The lost and found Come to find their
way Walking outside The feelings they

80
00:10:27,020 --> 00:10:29,680
hide Wouldn't they pride you well

81
00:11:01,420 --> 00:11:03,260
Love grows apart.

82
00:11:03,980 --> 00:11:07,060
To find a kind word.

83
00:11:08,040 --> 00:11:10,920
We search in all directions.

84
00:11:11,160 --> 00:11:14,380
Hungry for some small affection.

85
00:11:14,640 --> 00:11:16,700
Each other's heart.

86
00:12:00,109 --> 00:12:01,630
Hello. I'm Stuart Guber.

87
00:12:02,050 --> 00:12:03,490
Oh, yes. Can I help you?

88
00:12:04,350 --> 00:12:07,230
Yes, I was hired last week to be the new
trainee.

89
00:12:08,390 --> 00:12:10,770
Oh, yes, that's right, the new trainee.

90
00:12:12,140 --> 00:12:13,140
Who hired you?

91
00:12:13,740 --> 00:12:14,740
Mr. Schmidt.

92
00:12:15,200 --> 00:12:16,500
Oh, Marvin, yes.

93
00:12:17,040 --> 00:12:18,040
Yes, I'll ring him.

94
00:12:19,980 --> 00:12:21,740
Mr. Goober here to see you, Mr. Schmidt.

95
00:12:22,980 --> 00:12:23,980
He's on the phone.

96
00:12:24,260 --> 00:12:27,060
Go on in and wait. It's right around the
corner to the right.

97
00:12:27,700 --> 00:12:28,700
Thank you.

98
00:12:43,739 --> 00:12:47,200
Hungry? Well, listen, you tell him that
if he doesn't want to compete, he should

99
00:12:47,200 --> 00:12:48,660
go to New Zealand. See if I care.

100
00:12:49,060 --> 00:12:50,540
No houses on the hill there.

101
00:12:50,740 --> 00:12:51,740
I know.

102
00:12:52,600 --> 00:12:53,600
Yeah.

103
00:12:54,060 --> 00:12:58,540
I know it's a less competitive scene
over there. But, Lyle, you tell him to

104
00:12:58,540 --> 00:13:00,920
wait till the Japs take over any day.
He'll see.

105
00:13:01,200 --> 00:13:02,260
Yeah, goodbye, Lyle.

106
00:13:03,580 --> 00:13:06,220
Well, Stuart, you really must want the
job.

107
00:13:07,020 --> 00:13:08,100
What a change.

108
00:13:09,020 --> 00:13:10,500
I'm impressed.

109
00:13:10,780 --> 00:13:12,100
Well, I really do want the job.

110
00:13:12,730 --> 00:13:16,370
Well, that's yours. Like I told you,
straighten up a bit and the job's yours.

111
00:13:16,530 --> 00:13:18,490
But remember, you're a lone man.

112
00:13:19,010 --> 00:13:21,670
You'll be called on to do all kinds of
things.

113
00:13:22,030 --> 00:13:27,070
Pick up clients at the airport, perhaps
run their laundry to the cleaners, get a

114
00:13:27,070 --> 00:13:28,870
coffee, anything.

115
00:13:30,850 --> 00:13:31,850
Arnold,

116
00:13:33,930 --> 00:13:35,650
Arnold, will you come in here, please?

117
00:13:36,270 --> 00:13:37,270
Thank you.

118
00:13:38,610 --> 00:13:40,570
You know, we almost all started at the
bottom.

119
00:13:41,800 --> 00:13:45,920
When Roger Feinstein opened his shop, it
was in his girlfriend's apartment.

120
00:13:46,380 --> 00:13:49,260
His filing cabinet was the refrigerator.

121
00:13:50,360 --> 00:13:53,480
And now he's 32 and president of this
firm.

122
00:13:53,960 --> 00:13:57,640
And here is a walking example of what
I'm talking about.

123
00:13:58,020 --> 00:13:59,020
Morning, Larry.

124
00:13:59,220 --> 00:14:01,000
Arnold, I want you to meet Stuart
Goober.

125
00:14:01,360 --> 00:14:03,560
Oh, glad to meet you. Likewise.

126
00:14:04,640 --> 00:14:05,940
Stuart is a new trainee.

127
00:14:06,260 --> 00:14:07,260
Oh.

128
00:14:07,300 --> 00:14:08,840
Arnold was our last trainee.

129
00:14:09,080 --> 00:14:10,300
And in four months.

130
00:14:10,880 --> 00:14:14,140
Four months. He moved up to an account
executive position.

131
00:14:14,400 --> 00:14:18,740
He's making fabulous money, and he's got
one hell of a career ahead of him.

132
00:14:19,000 --> 00:14:20,000
Marvin.

133
00:14:21,320 --> 00:14:23,740
We're mighty proud of Arnold around
here.

134
00:14:24,420 --> 00:14:27,480
Well, now I'm going to be busy, so
Arnold will acquaint you with the

135
00:14:27,480 --> 00:14:28,480
routine.

136
00:14:29,200 --> 00:14:32,140
Oh, Stuart, just one more thing.

137
00:14:33,440 --> 00:14:34,560
These are for you.

138
00:14:34,840 --> 00:14:37,240
Now, this is the key to the officer's...

139
00:14:38,140 --> 00:14:40,860
And this beeper you're to keep with you
at all times.

140
00:14:41,080 --> 00:14:42,680
Arnold will instruct you on its use.

141
00:14:43,660 --> 00:14:47,540
And, Stuart, good luck.

142
00:14:48,300 --> 00:14:52,460
That guy never stops. I mean, like, he
has signed more contracts than probably

143
00:14:52,460 --> 00:14:54,820
Roger and Carl. Hey, Mel, how are you?

144
00:14:55,580 --> 00:14:59,240
Stu, listen, when you finish the trades,
bring them to me. I'll check them over.

145
00:14:59,690 --> 00:15:02,770
Well, it's pretty serious if you miss a
client's name after you've been here a

146
00:15:02,770 --> 00:15:06,670
while. Oh, okay. But don't worry about
it. I know it's your first day. You'll

147
00:15:06,670 --> 00:15:08,190
get used to the routine after a while.

148
00:15:09,790 --> 00:15:14,330
Jimmy Ross is busy. I'll introduce you
later. Stuart, Hank Toto, and his

149
00:15:14,330 --> 00:15:16,970
secretary, Ben. Hi. Nice to meet you,
Stuart. Nice to meet you.

150
00:15:17,230 --> 00:15:18,230
Hi. Hello.

151
00:15:18,410 --> 00:15:19,410
How's work coming?

152
00:15:19,910 --> 00:15:20,910
Comfy, comfa.

153
00:15:21,130 --> 00:15:23,090
Look like a new contract out of big
time?

154
00:15:23,310 --> 00:15:24,310
I'd say so.

155
00:15:24,650 --> 00:15:26,850
Only Dana Sheridan's little foot was
facing.

156
00:15:27,770 --> 00:15:28,830
Good work, Hank.

157
00:15:29,320 --> 00:15:30,420
See you later, man.

158
00:15:31,300 --> 00:15:33,120
Hanks are token black.

159
00:15:35,580 --> 00:15:39,540
Roger brought him in to help land the
big-time record company contract.

160
00:15:39,900 --> 00:15:43,860
You know Dana Sheridan, the rhythm and
blues singer? Yeah. Well, she has a

161
00:15:43,860 --> 00:15:47,520
sister that sings rock and roll. We're
trying to get her, too. And Hank pedals

162
00:15:47,520 --> 00:15:48,359
our man.

163
00:15:48,360 --> 00:15:49,420
Wait a minute. Hi, darling.

164
00:15:49,820 --> 00:15:50,820
How are you?

165
00:15:51,060 --> 00:15:52,059
This way.

166
00:15:52,060 --> 00:15:53,860
I'll introduce you later. Okay.

167
00:15:55,840 --> 00:15:58,480
Marsha, I want you to meet Stuart
Cooper.

168
00:15:59,100 --> 00:16:00,100
The new trainee.

169
00:16:00,260 --> 00:16:01,680
Hello. Glad to meet you.

170
00:16:02,260 --> 00:16:03,400
Uh, Roger busy?

171
00:16:04,000 --> 00:16:05,000
Of course.

172
00:16:05,780 --> 00:16:10,420
You wait right here. One minute. I'm a
paper boy with an old enough gauge and a

173
00:16:10,420 --> 00:16:11,279
fat one.

174
00:16:11,280 --> 00:16:12,460
Put in tames.

175
00:16:12,700 --> 00:16:13,700
Arnold, out.

176
00:16:14,340 --> 00:16:15,660
I want mean boys.

177
00:16:16,100 --> 00:16:17,160
Not these boys.

178
00:16:18,460 --> 00:16:19,460
Mean boys.

179
00:16:19,840 --> 00:16:21,460
Come on, Stu. Let's go to lunch.

180
00:16:23,280 --> 00:16:24,280
What's eating her?

181
00:16:25,080 --> 00:16:26,560
Oh, Marsha? Yeah.

182
00:16:26,800 --> 00:16:27,800
She's moody.

183
00:16:28,880 --> 00:16:32,940
She really runs the place. She's the
real boss. But no one gives her any

184
00:16:32,940 --> 00:16:38,880
credit. And she's not up for any
promotion, so... She's a bitch.

185
00:16:40,000 --> 00:16:41,360
Well, who are those guys?

186
00:16:41,600 --> 00:16:43,180
And what's going on there? Mr.

187
00:16:43,900 --> 00:16:46,840
Yee, a pain-in-the-ass film producer
from Hong Kong.

188
00:16:47,120 --> 00:16:50,620
Oh, we're handling a promotion for one
of his new martial arts films?

189
00:16:51,620 --> 00:16:55,620
That's what the lineup is all about. You
know it.

190
00:16:58,830 --> 00:17:00,430
Come on, we're having fun here.

191
00:17:10,250 --> 00:17:12,089
We're all familiar with the guest board
account.

192
00:17:13,849 --> 00:17:14,849
I hope.

193
00:17:15,770 --> 00:17:18,109
Well, it's not easy coming up with
promotions.

194
00:17:20,569 --> 00:17:22,050
And I've been getting flack.

195
00:17:27,250 --> 00:17:28,250
Marv.

196
00:17:28,620 --> 00:17:30,540
When was the last time we did something
for them?

197
00:17:31,280 --> 00:17:35,300
Well, I put the host, Joe Tanner, on the
cover of TV Times three months ago.

198
00:17:36,400 --> 00:17:39,060
A three-month gap in publicity isn't too
acceptable.

199
00:17:43,360 --> 00:17:45,520
So I said, what the hell?

200
00:17:47,020 --> 00:17:48,320
What can we do for them?

201
00:17:51,120 --> 00:17:53,120
And I came up with a great little scam.

202
00:18:13,480 --> 00:18:16,280
Arnold, you put an ad in Variety for the
next three or four days.

203
00:18:17,320 --> 00:18:20,920
I want beautiful, sexy broads.

204
00:18:21,600 --> 00:18:22,760
You know, model types.

205
00:18:23,600 --> 00:18:29,620
I want to interview a whole shitload of
them all next week. Now, Marsha, contact

206
00:18:29,620 --> 00:18:33,980
the local and national press and have
the entertainment people come over to my

207
00:18:33,980 --> 00:18:40,300
house, say, a week from this Saturday
for a little press reception.

208
00:18:42,700 --> 00:18:43,700
Here's the scene.

209
00:18:44,580 --> 00:18:46,500
We get these broads over to my place.

210
00:18:47,000 --> 00:18:49,640
And we have them pose with those
guesswork games.

211
00:18:52,160 --> 00:18:53,900
And we have a few drinks.

212
00:18:55,620 --> 00:18:57,020
We have some hors d'oeuvres.

213
00:18:59,880 --> 00:19:02,260
And the entertainment people take
pictures.

214
00:19:12,490 --> 00:19:13,710
Pretty original, eh, Arnold?

215
00:19:15,290 --> 00:19:16,850
Roger, it's great.

216
00:19:17,170 --> 00:19:18,170
It's original.

217
00:19:18,990 --> 00:19:22,350
Who in the world can be dissatisfied
with such dynamic publicity?

218
00:19:26,390 --> 00:19:33,210
Can you believe that?

219
00:19:33,790 --> 00:19:36,730
Original. He wants to ball them.

220
00:19:37,290 --> 00:19:39,590
Roger is a real hose man.

221
00:19:43,820 --> 00:19:45,540
You'll do fine. They'll love you.

222
00:19:46,500 --> 00:19:48,280
But I'm really scared.

223
00:19:48,780 --> 00:19:50,340
I don't know if I can do it.

224
00:19:51,580 --> 00:19:52,640
It's a game show.

225
00:19:53,680 --> 00:19:54,680
Nothing matters.

226
00:19:55,200 --> 00:19:57,320
They're all just a bunch of idiots.

227
00:19:58,320 --> 00:19:59,320
You mean it?

228
00:19:59,780 --> 00:20:03,480
Sure. I wouldn't put you in a situation
you couldn't handle. Stu, what do you

229
00:20:03,480 --> 00:20:05,380
think of all this game show stuff?

230
00:20:05,840 --> 00:20:07,320
I think it's all harmless nonsense.

231
00:20:08,660 --> 00:20:09,660
There, you see?

232
00:20:10,160 --> 00:20:12,060
It's all just a bunch of harmless
nonsense.

233
00:20:32,200 --> 00:20:34,460
I'm Joe Lippin, and welcome to Guess
Word.

234
00:20:35,540 --> 00:20:37,700
Karen Goldstein, come on in.

235
00:20:40,280 --> 00:20:41,580
Oops, okay, take it easy.

236
00:20:42,660 --> 00:20:45,660
Relax. Karen is a housewife from Sherman
Oaks, California.

237
00:20:46,940 --> 00:20:48,600
Now, what are you going to say? Quick.

238
00:20:49,100 --> 00:20:52,080
Hi, Joe. Are we ready to get the
question from behind the magic hole

239
00:20:52,080 --> 00:20:54,240
board? Beautiful. What are your
children's names?

240
00:20:54,960 --> 00:20:56,040
You don't know. Okay.

241
00:20:56,400 --> 00:20:58,540
Is this her?

242
00:20:58,740 --> 00:20:59,740
Yeah.

243
00:21:00,920 --> 00:21:01,920
Beautiful. Great.

244
00:21:02,170 --> 00:21:03,049
Now listen, baby.

245
00:21:03,050 --> 00:21:06,310
When you bring in the Radar Sun
two-minute hot dog cooker, remember, you

246
00:21:06,310 --> 00:21:09,070
gotta say, cooks five hot dogs at once
in two minutes.

247
00:21:09,290 --> 00:21:11,970
And say it quiet so that the contestant
doesn't hear it.

248
00:21:12,290 --> 00:21:14,230
Cooks five hot dogs at once in two
minutes.

249
00:21:14,470 --> 00:21:17,510
Come on, Frank. Can't you see she's
dying? Okay, Karen. Now it's time for

250
00:21:17,510 --> 00:21:19,990
you to spin the magic wheel of fortune.
Remember, it must make one complete

251
00:21:19,990 --> 00:21:21,370
revolution in order for it to qualify.

252
00:21:21,830 --> 00:21:25,070
That number will tell us what your topic
is, where to get your question from, and

253
00:21:25,070 --> 00:21:26,950
how much in hundreds of dollars that
question is worth.

254
00:21:27,630 --> 00:21:28,630
Give it a big spin.

255
00:21:35,249 --> 00:21:38,150
Number seven, Karen. That's really very
good for your first spin.

256
00:21:38,430 --> 00:21:39,389
Hi, Joe.

257
00:21:39,390 --> 00:21:42,090
Ready for the question from behind the
magic hole board?

258
00:21:42,330 --> 00:21:45,570
We certainly are. If you'll just take
Karen over to the magic hole board, and

259
00:21:45,570 --> 00:21:48,510
Karen, if you'll just reach into magic
hole number seven and draw out the

260
00:21:48,510 --> 00:21:49,510
question.

261
00:21:50,270 --> 00:21:51,270
Thank you, honey.

262
00:21:54,430 --> 00:21:57,290
Okay, Karen, your topic is television.

263
00:21:58,290 --> 00:22:02,270
Of course, right now you know you have a
choice between the $700 and the mystery

264
00:22:02,270 --> 00:22:03,270
prize in the big black box.

265
00:22:03,740 --> 00:22:06,980
While you ponder that one, let's reveal
to our audience at home just what it is

266
00:22:06,980 --> 00:22:08,660
behind that silver curtain in the big
mystery box.

267
00:22:09,260 --> 00:22:14,880
A Radar Sun electric hot dog cooker will
be the prize for our lucky contestant if

268
00:22:14,880 --> 00:22:16,480
she answers the question correctly.

269
00:22:40,810 --> 00:22:41,870
All right, Karen, have you decided?

270
00:22:42,450 --> 00:22:46,170
Cooks your dog in a minute? I better go
with the $700.

271
00:22:46,570 --> 00:22:48,450
Okay, for $700.

272
00:22:48,910 --> 00:22:53,490
In the Captain Midnight series of the
1950s, Captain Midnight had a sidekick.

273
00:22:54,110 --> 00:22:57,750
What was his name, and what was the
actor's name who played him?

274
00:22:59,430 --> 00:23:06,430
Oh, Icky Sid Melton. That's right,
Karen.

275
00:23:06,670 --> 00:23:10,210
and you've just won $700. And after a
brief word from our sponsor, we'll be

276
00:23:10,210 --> 00:23:12,670
right back to spend that magic little
fortune you've been feasting on.

277
00:23:14,250 --> 00:23:15,430
Okay, Joe, you're clear.

278
00:23:15,790 --> 00:23:17,250
What the fuck is going on?

279
00:24:04,620 --> 00:24:09,240
This is where they're held This

280
00:24:09,240 --> 00:24:13,480
is where they're always held

281
00:24:17,009 --> 00:24:21,210
The everybody-is-working-for-you super
hype.

282
00:24:22,470 --> 00:24:25,470
All account executives are required to
attend, Stu.

283
00:24:25,750 --> 00:24:31,450
So let's see. We're going to need one,
two, three, seven chairs,

284
00:24:31,810 --> 00:24:34,490
plus you.

285
00:24:35,370 --> 00:24:41,690
Me? Yes. So we'll need eight chairs,
plus Dana and her party,

286
00:24:41,850 --> 00:24:44,830
minus the chairs that are in here.

287
00:24:45,580 --> 00:24:48,900
So that way, you figure it out. I want
them arranged perfectly.

288
00:24:49,620 --> 00:24:51,200
What about the secretaries?

289
00:24:51,860 --> 00:24:54,640
Not the secretaries. Never the
secretaries.

290
00:25:08,739 --> 00:25:11,880
You know, I think the real answer is
something like Sonny. When you get

291
00:25:11,880 --> 00:25:14,620
yourself a successful broad, make it big
and then dump her.

292
00:25:16,480 --> 00:25:23,220
Not only she got the biggest tits in
town, but she goes in and she puts this

293
00:25:23,220 --> 00:25:26,600
magnifying glass in front of her. So
that, hey, shh.

294
00:25:27,580 --> 00:25:28,580
They're here.

295
00:26:00,810 --> 00:26:01,890
This was a big tub lawn.

296
00:26:03,030 --> 00:26:05,730
You're kidding. I don't know. What's
Peter Vagdanovich doing?

297
00:26:07,770 --> 00:26:08,770
Oh, my God.

298
00:26:08,990 --> 00:26:11,650
They were all on the lot today. He's on
the commissary.

299
00:26:16,390 --> 00:26:17,390
Oh, my God.

300
00:26:17,590 --> 00:26:19,210
Sandy? I've got to go.

301
00:26:19,430 --> 00:26:22,510
Bye. The conference room is right around
the corner.

302
00:26:23,630 --> 00:26:24,630
Use us both.

303
00:26:25,950 --> 00:26:26,950
Right through.

304
00:26:32,240 --> 00:26:34,320
Good morning, Miss Sheridan. Right this
way.

305
00:26:35,720 --> 00:26:37,020
Please, sit down.

306
00:26:43,180 --> 00:26:45,640
We're all assembled here today for a
reading of the will.

307
00:26:47,800 --> 00:26:48,880
Dana, would you like some coffee?

308
00:26:49,800 --> 00:26:50,800
Cece?

309
00:26:51,180 --> 00:26:52,180
Johnny.

310
00:26:54,100 --> 00:26:57,240
Marsha, would you bring in a pot of
coffee and some tea, if you have it?

311
00:26:59,700 --> 00:27:02,510
Now! I believe some introductions are in
order.

312
00:27:02,710 --> 00:27:03,930
Oh, Roger.

313
00:27:04,510 --> 00:27:05,950
You're such a tight ass.

314
00:27:06,590 --> 00:27:07,590
Loosen up, baby.

315
00:27:09,170 --> 00:27:12,910
Listen, fellas. This is my little
sister, Cece Sheridan, and I want to

316
00:27:12,910 --> 00:27:13,910
make her a star.

317
00:27:14,190 --> 00:27:18,550
Not that she ain't a star already in my
books, but people got to know who she

318
00:27:18,550 --> 00:27:20,370
is, if you know what I mean.

319
00:27:20,770 --> 00:27:22,410
And they got to know what she does.

320
00:27:23,350 --> 00:27:26,810
Because even though she's my little
sister, she's different.

321
00:27:27,170 --> 00:27:30,230
She doesn't sing Motown or...

322
00:27:30,440 --> 00:27:36,140
jazz or blues like me, see these things,
good old-fashioned rock and roll, like

323
00:27:36,140 --> 00:27:40,560
the Ronettes or Mary Wells or the
Shirelles.

324
00:27:40,840 --> 00:27:41,840
You dig?

325
00:27:42,480 --> 00:27:46,200
Now, I've discussed this with her, and
that's her gig.

326
00:27:48,320 --> 00:27:49,360
Her milieu.

327
00:27:50,680 --> 00:27:53,360
So she's got to have some extra special
treatment.

328
00:27:54,820 --> 00:27:57,020
So, what can you do for me?

329
00:27:58,090 --> 00:28:01,990
As I've already explained to Miss
Sheridan, we can do a lot for CeCe.

330
00:28:02,590 --> 00:28:05,230
Yowza, here come the hype. Give him a
chance.

331
00:28:05,430 --> 00:28:06,430
Lighten up, man.

332
00:28:08,950 --> 00:28:12,650
Tom Crankshaw is our man on the talk
shows and the quiz shows.

333
00:28:12,870 --> 00:28:16,370
For instance, if you want to be on
Hollywood Stars or Johnny Carson, you

334
00:28:16,370 --> 00:28:17,370
come to Tom.

335
00:28:17,470 --> 00:28:23,010
Marvin Schmidt is a friend of your big
critics, the columnists, and the liaison

336
00:28:23,010 --> 00:28:25,610
with the mainstream big city presses
like the...

337
00:28:25,880 --> 00:28:29,940
New York Times, the Chicago Trib, the
Detroit Free Press, and the LA Times.

338
00:28:31,120 --> 00:28:34,660
Jimmy Roth is in charge of our music
department.

339
00:28:35,200 --> 00:28:38,160
He's your liaison with Cashbox, Rolling
Stone.

340
00:28:38,380 --> 00:28:41,720
As a matter of fact, he's in contact
with the whole pop music scene.

341
00:28:42,640 --> 00:28:43,640
And he's queer.

342
00:28:45,920 --> 00:28:46,920
Not really.

343
00:28:47,200 --> 00:28:48,200
Sorry, Jimmy.

344
00:28:49,400 --> 00:28:52,400
Hank Tuttle over there is our man with
the black media.

345
00:28:52,640 --> 00:28:55,380
And that includes the Amsterdam News out
of New York.

346
00:28:55,790 --> 00:28:59,450
to Soul Magazine or Ebony or the black
radio stations.

347
00:28:59,690 --> 00:29:01,490
Hank's plugged into the whole scene.

348
00:29:02,950 --> 00:29:06,370
Oh, Don Coutinho is Marvin Schmidt's
assistant.

349
00:29:07,390 --> 00:29:11,610
Dave Shapiro is our man on the trades.
We'll get you into a variety in the

350
00:29:11,610 --> 00:29:13,010
Hollywood Reporter all the time.

351
00:29:13,770 --> 00:29:14,870
Arnold Goldner.

352
00:29:17,730 --> 00:29:21,430
Well, we really don't know what Arnie
does.

353
00:29:22,070 --> 00:29:23,270
We can only suspect.

354
00:29:25,679 --> 00:29:27,900
Arnie, just exactly what is it that you
do?

355
00:29:28,580 --> 00:29:31,060
Well, actually, I'm in charge of local
press and billboards. Ah, that's all

356
00:29:31,060 --> 00:29:32,060
right, Arnie. You've said enough.

357
00:29:32,280 --> 00:29:34,680
Arnold's in charge of local press and
billboards.

358
00:29:35,700 --> 00:29:39,760
You might note that we have on permanent
rental some of the most prestigious

359
00:29:39,760 --> 00:29:41,000
billboards on the strip.

360
00:29:41,300 --> 00:29:44,740
And I'm sure you've seen the one we put
up for Dana. Yes, I'm very impressed.

361
00:29:44,900 --> 00:29:47,000
I've seen it. I like it very much. Very
impressed.

362
00:29:47,900 --> 00:29:52,140
Last but not least is Stuart Goober.

363
00:29:53,710 --> 00:30:00,550
was in charge of research and
development.

364
00:30:01,430 --> 00:30:06,690
If there is anything you want to know
about, virtually anything, say you want

365
00:30:06,690 --> 00:30:13,430
to know... Well, let's say, for
instance, you want to

366
00:30:13,430 --> 00:30:15,530
know... Who's the seventh dwarf?

367
00:30:16,610 --> 00:30:19,670
Yeah, like who's the seventh dwarf?

368
00:30:20,090 --> 00:30:22,490
Stuart would be the logical one to...

369
00:30:22,940 --> 00:30:24,780
Like who the hell is the seventh dwarf?

370
00:30:25,600 --> 00:30:29,280
There was, um, Dopey.

371
00:30:30,240 --> 00:30:31,300
Well, let's see.

372
00:30:31,920 --> 00:30:34,280
Dopey and there was Sneezy.

373
00:30:34,780 --> 00:30:38,020
Dopey, Dopey, Dopey, Dumpy.

374
00:30:38,260 --> 00:30:39,500
That's not a dwarf.

375
00:30:40,300 --> 00:30:42,080
Yeah, tell him there's no Dumpy.

376
00:30:42,680 --> 00:30:43,680
Grumpy.

377
00:30:44,100 --> 00:30:45,560
Yeah, right on.

378
00:30:45,900 --> 00:30:51,100
Uh, Dopey, Sneezy, Grumpy, uh, whatever.

379
00:30:51,400 --> 00:30:52,740
Dopey, sneezy, grumpy.

380
00:30:53,840 --> 00:30:54,840
Sleepy.

381
00:30:55,980 --> 00:30:58,740
Dopey, sleepy, grumpy, humpy.

382
00:31:00,640 --> 00:31:02,900
That really ain't a door.

383
00:31:04,000 --> 00:31:07,340
Where do you come off with a name like
that? And in the presence of a lady.

384
00:31:07,960 --> 00:31:08,960
I'm sorry.

385
00:31:09,420 --> 00:31:11,620
Dark. What? Dark.

386
00:31:12,140 --> 00:31:13,140
There's no dark.

387
00:31:13,420 --> 00:31:14,420
Yes, there is.

388
00:31:14,800 --> 00:31:15,800
Really?

389
00:31:16,080 --> 00:31:17,080
No at all.

390
00:31:17,580 --> 00:31:20,720
Uh, by the way, let's see. We got, um...

391
00:31:20,990 --> 00:31:25,510
Dopey, Sneezy, Sleepy, Grumpy. We
already got that one.

392
00:31:27,270 --> 00:31:33,590
Dopey, Grumpy, Sleepy, Sneezy, Grumpy,
Grumpy.

393
00:31:33,910 --> 00:31:34,930
No, we got this.

394
00:31:36,350 --> 00:31:37,470
Dumpy, Grumpy.

395
00:31:38,790 --> 00:31:39,790
Bashful.

396
00:31:43,330 --> 00:31:44,390
All right.

397
00:31:45,190 --> 00:31:46,230
We've got it.

398
00:31:46,450 --> 00:31:47,850
I always know you were great.

399
00:31:48,110 --> 00:31:49,110
That ain't seven.

400
00:31:49,330 --> 00:31:50,330
What?

401
00:31:50,790 --> 00:31:53,670
Dopey, sneezy, grumpy, sleepy, bashful.

402
00:31:53,910 --> 00:31:54,910
That's six.

403
00:31:56,270 --> 00:31:57,270
Really?

404
00:31:57,930 --> 00:31:58,930
Yeah, baby.

405
00:32:02,110 --> 00:32:03,210
Stuart? Yes?

406
00:32:03,530 --> 00:32:07,470
You are to find out from Miss Sheridan
who the seventh dwarf is by tomorrow.

407
00:32:16,150 --> 00:32:17,150
Shelly Reed.

408
00:32:17,450 --> 00:32:18,450
Hi.

409
00:32:20,050 --> 00:32:24,470
Okay. Read about them. Okay. And I think
I checked your book.

410
00:32:24,670 --> 00:32:26,970
You don't. No, I don't have one. I did.

411
00:32:27,410 --> 00:32:28,410
Gloria Garcia.

412
00:32:29,750 --> 00:32:32,570
Composite. Sandra Ford Miller.

413
00:32:33,190 --> 00:32:35,790
Thank you. I have your composite. Thank
you.

414
00:32:37,390 --> 00:32:41,830
There's a Gloria Garcia who doesn't have
a composite, so I'll make a note.

415
00:32:42,710 --> 00:32:44,310
Composite. Hello.

416
00:32:46,350 --> 00:32:47,350
Composite.

417
00:33:16,060 --> 00:33:17,600
You don't what's your name?

418
00:33:26,250 --> 00:33:27,890
I've got it.

419
00:33:33,470 --> 00:33:34,470
Hello, Stuart.

420
00:33:34,730 --> 00:33:35,730
Who is this?

421
00:33:36,630 --> 00:33:37,890
It's Cece Sheridan.

422
00:33:38,170 --> 00:33:40,130
Oh, hello, Miss Sheridan. What can I do
for you?

423
00:33:40,430 --> 00:33:44,770
Well, the first thing you can stop doing
is calling me Miss Sheridan. The name is

424
00:33:44,770 --> 00:33:48,620
Cece. And secondly, don't let anyone
know that I called you like this.

425
00:33:48,880 --> 00:33:50,620
What? You heard me.

426
00:33:51,840 --> 00:33:52,920
I want to meet you.

427
00:33:53,640 --> 00:33:56,220
Okay. Is this for any particular reason?

428
00:33:56,460 --> 00:34:00,500
Oh, I don't know. I just like to get to
know you better, that's all.

429
00:34:01,560 --> 00:34:05,640
You see, I don't get to pick my friends
very much. I'm watched a lot.

430
00:34:06,140 --> 00:34:10,179
I don't want to get you into trouble.
Listen, I got to get out of my own

431
00:34:10,179 --> 00:34:11,179
sometime, right?

432
00:34:12,020 --> 00:34:16,350
You know, it's like that old story, you
go in... to a Chinese restaurant and

433
00:34:16,350 --> 00:34:19,670
open up a fortune cookie and pull out
the little piece of paper and it says,

434
00:34:19,830 --> 00:34:23,050
Help, I'm being held prisoner in a
Chinese noodle factory.

435
00:34:23,610 --> 00:34:25,110
Well, it's like that.

436
00:34:25,630 --> 00:34:27,409
All right, I've got this thing. I'll
tell you.

437
00:34:27,610 --> 00:34:30,969
How about the saloon in Beverly Hills
for lunch?

438
00:34:31,489 --> 00:34:34,389
Uh, no, no, no. It's too public.

439
00:34:35,130 --> 00:34:37,690
Uh, you know where the Bella Hotel is?

440
00:34:38,469 --> 00:34:43,130
Well, find it. It's on Sunset Going West
and it signs to the right telling you

441
00:34:43,130 --> 00:34:44,130
right where it is.

442
00:34:45,040 --> 00:34:47,060
Bel Air Hotel, tomorrow at 1.

443
00:34:52,080 --> 00:34:53,080
What's it?

444
00:34:54,060 --> 00:34:55,060
Oh,

445
00:34:55,520 --> 00:34:56,580
one of my agents.

446
00:34:57,700 --> 00:34:58,700
Einstein?

447
00:35:02,200 --> 00:35:03,200
I don't know.

448
00:35:04,760 --> 00:35:05,760
What's it?

449
00:35:06,860 --> 00:35:10,180
You know, I forgot. I mean, they all
sound so much alike anyway.

450
00:35:26,029 --> 00:35:27,029
Jennifer Lang.

451
00:35:28,250 --> 00:35:30,250
Yeah, just come forward a little bit.

452
00:35:31,290 --> 00:35:34,230
More. Yeah, a little bit more, please.

453
00:35:36,270 --> 00:35:38,770
Very nice. Yeah, ah, oh, very good.

454
00:35:39,550 --> 00:35:40,550
Yeah.

455
00:35:41,490 --> 00:35:42,650
Oh, I think you'll do nicely.

456
00:35:42,970 --> 00:35:44,490
Oh, that's wonderful, thank you. Very
nicely.

457
00:35:45,010 --> 00:35:46,010
That's lovely.

458
00:35:47,390 --> 00:35:48,390
I'm glad you like it.

459
00:35:49,150 --> 00:35:52,810
May I keep this, of course? Well, please
do. Thank you. That's what they're for.

460
00:35:53,090 --> 00:35:54,090
Thank you very much.

461
00:35:54,620 --> 00:35:56,800
Go ahead and take a look at my book,
too. Oh, okay, sure. There's some really

462
00:35:56,800 --> 00:35:59,120
nice things in there that I don't have
in the composite.

463
00:35:59,420 --> 00:36:00,420
Yeah, okay.

464
00:36:01,000 --> 00:36:06,740
I love that one. That's my innocent
look.

465
00:36:07,020 --> 00:36:07,939
Is it?

466
00:36:07,940 --> 00:36:11,620
Do you have a not-so-innocent one? Yes,
I have one further back. Oh, good.

467
00:36:11,980 --> 00:36:14,020
You might like that one. Would you like
to show it to me?

468
00:36:14,600 --> 00:36:15,880
Yes, it's right back here.

469
00:36:18,720 --> 00:36:20,760
Here's another one. That's my period
look.

470
00:36:22,540 --> 00:36:23,900
The costal blue period.

471
00:36:24,120 --> 00:36:25,120
Yes.

472
00:36:25,720 --> 00:36:28,700
I think it's rather nice in there with
my secretary look.

473
00:36:29,180 --> 00:36:32,100
Very versatile. I can do whatever you'd
like. Take shorthand?

474
00:36:32,440 --> 00:36:35,400
No, I don't do that, but I'm a terrific
actress. Good.

475
00:36:45,260 --> 00:36:46,260
Motherfuck it!

476
00:36:48,260 --> 00:36:49,260
What's the matter?

477
00:37:03,980 --> 00:37:04,980
in the room.

478
00:37:40,610 --> 00:37:41,610
There.

479
00:37:43,070 --> 00:37:44,070
Sheep.

480
00:38:00,810 --> 00:38:01,810
Bedspread.

481
00:38:02,790 --> 00:38:05,190
It's the same cabinet one drawer down.

482
00:38:15,580 --> 00:38:18,300
There. Yeah.

483
00:38:18,820 --> 00:38:20,180
Hello!

484
00:38:49,100 --> 00:38:50,760
Do you use this place much?

485
00:38:52,840 --> 00:38:56,500
What you really mean is do I school
around a lot, right?

486
00:38:58,060 --> 00:39:01,020
Yeah, I guess that's what I mean.

487
00:39:01,680 --> 00:39:02,800
You're such a silly.

488
00:39:03,840 --> 00:39:06,040
How could I without a bed?

489
00:39:08,820 --> 00:39:09,860
There are ways.

490
00:39:11,300 --> 00:39:13,360
Do you think I'm a hussy?

491
00:39:14,780 --> 00:39:15,780
No.

492
00:39:18,570 --> 00:39:20,030
How many times do you think I've done
it?

493
00:39:20,510 --> 00:39:23,870
I have no idea.

494
00:39:24,270 --> 00:39:26,870
Are you trying to play cool with me?

495
00:39:28,950 --> 00:39:29,950
Good.

496
00:39:31,190 --> 00:39:33,130
So how many times do you think?

497
00:39:38,090 --> 00:39:39,090
76?

498
00:39:41,090 --> 00:39:42,090
What?

499
00:39:47,400 --> 00:39:48,440
Come on now.

500
00:39:48,900 --> 00:39:52,040
Really? Oh, you think I'm a whore or
something?

501
00:39:53,960 --> 00:39:55,080
I don't know.

502
00:39:56,180 --> 00:39:58,920
I just thought everyone around here is
trying to get laid.

503
00:39:59,820 --> 00:40:00,820
You forget.

504
00:40:01,900 --> 00:40:02,960
I'm protected.

505
00:40:04,260 --> 00:40:05,740
I'm little sister.

506
00:40:07,680 --> 00:40:10,800
And, well, I just can't screw.

507
00:40:11,300 --> 00:40:13,200
It's got to really mean something.

508
00:40:22,890 --> 00:40:25,030
Well, I just can't seem to make it with
brothers.

509
00:40:25,710 --> 00:40:26,850
Black men, you know.

510
00:40:29,890 --> 00:40:35,970
I know it's not all their fault, but...
Well, sometimes they just come on too

511
00:40:35,970 --> 00:40:36,970
heavy with me.

512
00:40:40,970 --> 00:40:45,230
My father was a white man.

513
00:40:47,770 --> 00:40:52,130
And my mother was, um... Well, like his
outside woman.

514
00:40:53,040 --> 00:40:56,680
And my family. And even her friends.

515
00:40:57,620 --> 00:40:58,620
And the men.

516
00:40:59,700 --> 00:41:01,200
Especially the black men.

517
00:41:02,120 --> 00:41:04,140
They never forgave her for that.

518
00:41:04,640 --> 00:41:06,540
I mean, they just kicked her out.

519
00:41:07,320 --> 00:41:11,760
They didn't even bother trying to
understand her feelings or find out

520
00:41:11,760 --> 00:41:12,820
where she was coming from.

521
00:41:14,620 --> 00:41:16,660
I think that was really mean.

522
00:41:18,060 --> 00:41:19,060
So...

523
00:41:20,360 --> 00:41:26,860
I guess a lot of energy has been put
into preventing the same thing from

524
00:41:26,860 --> 00:41:27,860
happening to me.

525
00:41:31,200 --> 00:41:32,200
Hey.

526
00:41:33,540 --> 00:41:36,440
Did you ever find out who the seventh
dwarf was?

527
00:41:38,160 --> 00:41:39,160
No.

528
00:41:39,560 --> 00:41:41,120
Arnold said I didn't have to.

529
00:41:42,060 --> 00:41:43,860
Huh. Figures.

530
00:41:44,180 --> 00:41:45,180
Arnold.

531
00:41:46,780 --> 00:41:48,540
The seventh dwarf.

532
00:41:54,250 --> 00:41:58,350
everybody always forgets. You mean you
knew it all along?

533
00:41:58,850 --> 00:41:59,850
Well, sure.

534
00:42:02,790 --> 00:42:09,430
I really couldn't believe those guys.

535
00:42:10,910 --> 00:42:14,770
Well, uh, Roger, uh, uh, Dumpy.

536
00:42:25,450 --> 00:42:26,450
Why are you so happy?

537
00:42:27,210 --> 00:42:28,250
Because of the music.

538
00:42:28,570 --> 00:42:29,570
You know?

539
00:42:30,810 --> 00:42:35,770
You know, when I first came here, I had
a five-year plan.

540
00:42:36,230 --> 00:42:37,230
Oh.

541
00:42:38,030 --> 00:42:39,810
I don't know what that is.

542
00:42:40,550 --> 00:42:44,050
It means that I had to do something
great in that time. Or leave.

543
00:42:45,250 --> 00:42:46,510
How much time you got left?

544
00:42:47,670 --> 00:42:49,330
About three months.

545
00:42:50,130 --> 00:42:52,150
You better start packing, boy. Come on.

546
00:42:55,120 --> 00:43:01,960
Just start being satisfied with myself
But I couldn't make any money

547
00:43:01,960 --> 00:43:08,880
writing what I wanted to so I wrote
pornography to get by No,

548
00:43:09,000 --> 00:43:14,520
it's not like you think hmm It

549
00:43:14,520 --> 00:43:21,120
doesn't mean anything after a while
mm-hmm Really

550
00:43:21,120 --> 00:43:23,420
doesn't turn you on hmm

551
00:43:25,710 --> 00:43:28,830
It's like writing about insects in
Uganda or something.

552
00:43:29,210 --> 00:43:31,330
Now what the hell do you know about
insects?

553
00:43:31,710 --> 00:43:33,350
Especially African insects.

554
00:43:39,770 --> 00:43:40,770
Do.

555
00:43:41,250 --> 00:43:42,250
Yeah?

556
00:43:45,210 --> 00:43:46,270
Don't be blue.

557
00:43:47,630 --> 00:43:48,630
Hey.

558
00:43:49,350 --> 00:43:51,290
Don't you throw yourself at me.

559
00:43:52,370 --> 00:43:53,490
I won't.

560
00:43:55,120 --> 00:43:56,260
I think I love you.

561
00:43:58,920 --> 00:43:59,960
No you don't.

562
00:45:47,310 --> 00:45:50,830
Dr. Rowling should know about this
change as soon as possible. Arnold, I

563
00:45:50,830 --> 00:45:51,830
want to talk to you.

564
00:45:51,890 --> 00:45:55,750
Now. That'll be all. Thank you. Mr.
Goldman, let me remind you, we should

565
00:45:55,750 --> 00:45:56,810
finish the subpoena today.

566
00:45:57,230 --> 00:45:59,990
I know that. Thank you very much,
Shelley. We'll get to it later.

567
00:46:01,090 --> 00:46:02,650
You're handling Margaret Williams,
aren't you?

568
00:46:02,990 --> 00:46:03,990
Yes.

569
00:46:04,050 --> 00:46:05,650
And Denise Bronson? Yeah.

570
00:46:07,330 --> 00:46:08,670
We're about to lose both accounts.

571
00:46:09,950 --> 00:46:11,190
I was afraid of that.

572
00:46:12,450 --> 00:46:14,370
They're bitches to put into print,
Roger.

573
00:46:14,800 --> 00:46:18,460
Well, the last time I had Margaret
interviewed by Joyce Haber, she was so

574
00:46:18,460 --> 00:46:22,680
soused and so depressed that Joyce ended
up putting her to bed and calling her

575
00:46:22,680 --> 00:46:26,860
doctor for operas. There both has been.
I know all that.

576
00:46:27,640 --> 00:46:29,000
It's a challenge, Arnold.

577
00:46:29,380 --> 00:46:31,440
Get them in print no matter how you do
it.

578
00:46:31,700 --> 00:46:33,960
Put them on the Today Show. I don't
know.

579
00:46:36,260 --> 00:46:37,260
Oh, wait.

580
00:46:38,860 --> 00:46:41,300
I've got it. We make up the name of a
producer.

581
00:46:41,980 --> 00:46:44,880
and will send out releases that he
signed them for his new pick.

582
00:46:45,380 --> 00:46:48,900
Roger. Arnold, are you listening to me?
I am serious.

583
00:46:49,280 --> 00:46:50,540
Make up a name.

584
00:46:50,940 --> 00:46:51,940
Well, let's see.

585
00:46:51,980 --> 00:46:57,840
Jackson Schwartz, out of New York, with
Christ Regal Productions, has just

586
00:46:57,840 --> 00:47:04,080
signed Margaret Williams and Denise
Bronson, the star in Postmortem Blues.

587
00:47:04,460 --> 00:47:05,460
Anything.

588
00:47:06,320 --> 00:47:07,980
Jackson Schwartz.

589
00:47:08,300 --> 00:47:09,300
Do it.

590
00:47:39,400 --> 00:47:40,700
Hey, babe. How's it going?

591
00:47:40,920 --> 00:47:41,920
Call me babe.

592
00:47:42,320 --> 00:47:43,500
Tired of copying? Yeah.

593
00:47:43,960 --> 00:47:44,960
Well, good.

594
00:47:45,100 --> 00:47:46,560
I want you to do me a favor.

595
00:47:46,860 --> 00:47:51,040
I want you to go downtown to the L.A.
Times building and deliver this copy to

596
00:47:51,040 --> 00:47:52,040
Charles Chancellor.

597
00:47:52,600 --> 00:47:53,479
You're ready?

598
00:47:53,480 --> 00:47:54,480
Yes.

599
00:47:55,140 --> 00:47:56,140
Okay.

600
00:47:57,020 --> 00:47:59,100
Stuart, you're not seeing Cece, are you?

601
00:48:00,100 --> 00:48:01,100
Yes.

602
00:48:01,500 --> 00:48:02,600
You'd better watch it.

603
00:48:03,900 --> 00:48:05,300
You made your point, Arnold.

604
00:48:34,280 --> 00:48:36,500
Can you tell me where Charles Taplin's
office is?

605
00:48:36,820 --> 00:48:38,560
Sure. Down in the corridor.

606
00:48:38,780 --> 00:48:39,780
Make a right turn.

607
00:48:43,360 --> 00:48:46,460
Yeah. Can I come in, Mr. Chandler? Yeah,
sure.

608
00:48:47,280 --> 00:48:50,200
I have some coffee for you. It's from
Roger Feinstein.

609
00:48:51,000 --> 00:48:52,800
The imperishable Roger Feinstein.

610
00:48:53,020 --> 00:48:54,500
Okay. Thank you very much.

611
00:48:56,260 --> 00:48:57,880
Mr. Chandler? Yes.

612
00:48:59,300 --> 00:49:03,480
I follow your reviews, you know, working
the capacity I'm in and all, and...

613
00:49:04,220 --> 00:49:05,480
I really like your work.

614
00:49:06,060 --> 00:49:08,600
Thank you. I appreciate that. Nice to
hear it.

615
00:49:08,980 --> 00:49:10,200
Are you into film yourself?

616
00:49:10,680 --> 00:49:12,120
No, I'm more of a writer.

617
00:49:12,660 --> 00:49:15,480
Doing anything that might be of interest
to us down here at the paper?

618
00:49:16,900 --> 00:49:20,000
Yeah, I have a couple things that I
think you'd be interested in. Bring them

619
00:49:20,000 --> 00:49:22,640
down. We'll take a look at them, and who
knows, maybe we can do some business.

620
00:49:22,820 --> 00:49:23,840
What's your name? Stuart.

621
00:49:24,380 --> 00:49:25,700
Stuart, nice to see you.

622
00:49:26,140 --> 00:49:29,220
Listen, when you go back, I wish you'd
tell Roger something for me.

623
00:49:29,779 --> 00:49:33,840
Every time for the last five years that
I've accidentally had anything favorable

624
00:49:33,840 --> 00:49:36,740
to say about one of his clients, he
sends me a bottle of Chivas Regal.

625
00:49:37,380 --> 00:49:38,380
Bottle after bottle.

626
00:49:38,820 --> 00:49:41,380
And I really wish you'd tell him not to
do it, you know. I don't drink.

627
00:49:42,440 --> 00:49:43,900
So. Right.

628
00:49:45,680 --> 00:49:51,200
Uh, Stuart, uh, who the hell is Jackson
Schwartz?

629
00:49:52,480 --> 00:49:53,359
I don't know.

630
00:49:53,360 --> 00:49:54,360
You haven't read this?

631
00:49:55,720 --> 00:49:58,860
Okay. Thank you very much. We'll see.
Thank you. Bye-bye.

632
00:50:55,210 --> 00:50:56,470
That's Josie

633
00:50:56,470 --> 00:51:03,830
Lady

634
00:51:03,830 --> 00:51:04,830
in the moon

635
00:51:23,920 --> 00:51:25,260
I'm Stuart, her ex-old man.

636
00:51:25,700 --> 00:51:27,160
Well, this song's for you.

637
00:51:27,500 --> 00:51:30,240
It's called Stuart, her ex-old man.

638
00:52:12,620 --> 00:52:13,820
Josie? Stuart?

639
00:52:15,640 --> 00:52:16,860
What are you doing?

640
00:52:17,160 --> 00:52:18,098
My dance.

641
00:52:18,100 --> 00:52:19,100
Our act.

642
00:52:19,480 --> 00:52:20,980
Our act? Yeah.

643
00:52:21,940 --> 00:52:23,080
Me and Joel.

644
00:52:24,200 --> 00:52:25,200
Pianist.

645
00:52:26,380 --> 00:52:28,740
He's my old man, and this is our gig.

646
00:52:30,100 --> 00:52:32,860
The City Arts Commission pays us to
perform.

647
00:52:34,380 --> 00:52:35,380
Josie?

648
00:52:42,350 --> 00:52:43,750
I'm going to get some lunch.

649
00:52:44,690 --> 00:52:46,730
Would you and Joel care to join me?

650
00:52:49,390 --> 00:52:52,410
Well, uh... I would.

651
00:52:53,570 --> 00:53:00,470
But, uh... Well, Joel... He's just
warming up.

652
00:53:00,570 --> 00:53:01,590
He won't want to come.

653
00:53:04,570 --> 00:53:05,570
We'll go.

654
00:53:07,010 --> 00:53:08,010
Come on.

655
00:53:08,130 --> 00:53:09,130
It's cool.

656
00:53:39,850 --> 00:53:44,350
City plays with about 20 bucks a
performance, gives the truck driver

657
00:53:44,350 --> 00:53:46,810
another 20, and just about gets us by.

658
00:53:47,870 --> 00:53:48,870
That's it.

659
00:53:49,350 --> 00:53:50,350
Are you happy?

660
00:53:54,270 --> 00:53:55,470
Are you happy?

661
00:53:57,170 --> 00:53:59,470
Yes, I am.

662
00:54:43,120 --> 00:54:44,620
Just a second, Marvin. He'll be right
in.

663
00:54:45,600 --> 00:54:46,980
He's going to love this.

664
00:54:47,560 --> 00:54:48,980
Really love it.

665
00:54:49,500 --> 00:54:50,500
Oh.

666
00:54:52,760 --> 00:54:53,900
Yes, Roger?

667
00:54:54,980 --> 00:54:56,100
Oh, Arnold.

668
00:54:56,920 --> 00:55:00,460
Just a small matter Marvin brought to my
attention.

669
00:55:03,260 --> 00:55:05,820
Champlin went and put your producer in
the obituary.

670
00:55:06,480 --> 00:55:07,480
He's dead.

671
00:55:10,180 --> 00:55:11,940
Jackson Schwartz is dead.

672
00:55:12,730 --> 00:55:14,390
Love it, love it.

673
00:55:16,270 --> 00:55:17,710
Really love it.

674
00:55:24,170 --> 00:55:25,690
Really love it.

675
00:56:00,680 --> 00:56:01,740
Can I finish the trades?

676
00:56:02,540 --> 00:56:04,880
Leave the trades? Who cares about the
trades?

677
00:56:05,460 --> 00:56:06,460
Be right there.

678
00:56:13,840 --> 00:56:14,960
Are you ready to go?

679
00:56:17,540 --> 00:56:19,200
You haven't forgotten our ride.

680
00:56:19,580 --> 00:56:20,580
What ride?

681
00:56:21,220 --> 00:56:23,820
I am taking you on a motorcycle ride.

682
00:56:24,120 --> 00:56:25,340
Today? Today!

683
00:56:27,640 --> 00:56:28,640
My work.

684
00:56:29,020 --> 00:56:30,240
Forget your work.

685
00:56:31,220 --> 00:56:32,220
It's Friday.

686
00:56:33,700 --> 00:56:35,240
Nobody works on Friday.

687
00:56:35,900 --> 00:56:37,560
Except the secretaries.

688
00:56:38,240 --> 00:56:40,900
It's okay with you. It's okay with me.
It's okay.

689
00:56:43,620 --> 00:56:44,620
Wait a minute.

690
00:56:46,680 --> 00:56:50,540
If anyone asks, we're going to a taping
of Hollywood Star.

691
00:57:18,830 --> 00:57:19,850
Isn't this better than working?

692
00:57:20,330 --> 00:57:21,330
Of course.

693
00:57:28,990 --> 00:57:30,630
This is where it all ends.

694
00:57:31,010 --> 00:57:33,950
The Great American Trek. The Long March.

695
00:57:34,310 --> 00:57:36,350
Ha! Jesus Christ.

696
00:57:38,390 --> 00:57:40,210
This is as far west as you can go.

697
00:57:40,590 --> 00:57:43,270
I mean, like in San Francisco, it's the
Golden Gate.

698
00:57:43,710 --> 00:57:44,810
Here, it's the pier.

699
00:57:45,990 --> 00:57:46,990
Look at them.

700
00:57:53,640 --> 00:57:59,500
Either they head back east, walk out
into the ocean, or just sit there and

701
00:57:59,500 --> 00:58:00,980
drink beer all day.

702
00:58:03,140 --> 00:58:04,200
I don't know, Stuart.

703
00:58:05,100 --> 00:58:06,100
Just don't know.

704
00:58:11,100 --> 00:58:12,220
Any cops around?

705
00:58:14,620 --> 00:58:15,900
No? Good.

706
00:58:16,420 --> 00:58:18,160
I'm not supposed to do this, but...

707
00:58:52,370 --> 00:58:55,970
Well, it would be a lot safer if you
held on to me instead of the seat.

708
00:59:41,390 --> 00:59:43,410
Now I'm going to show you someplace
really better.

709
01:00:00,430 --> 01:00:01,430
There.

710
01:00:03,470 --> 01:00:04,470
Wow.

711
01:00:05,110 --> 01:00:06,610
Get off. Look around.

712
01:00:37,230 --> 01:00:38,710
Have you ever read any Ibsen?

713
01:00:39,610 --> 01:00:40,610
Jesus, Arnold.

714
01:00:40,670 --> 01:00:42,130
What kind of a question is that?

715
01:00:48,270 --> 01:00:49,390
Answer my question.

716
01:00:50,110 --> 01:00:53,030
As a matter of fact, I've read most of
Ibsen's plays.

717
01:00:53,310 --> 01:00:55,070
Well, this is just like an Ibsen play.

718
01:00:56,330 --> 01:00:57,330
This place?

719
01:00:59,170 --> 01:01:01,250
How did you find a place like this?

720
01:01:03,890 --> 01:01:05,090
In an Ibsen play.

721
01:01:06,280 --> 01:01:12,260
The protagonist takes a character who he
really likes and means a lot to him

722
01:01:12,260 --> 01:01:15,080
up to a very high place.

723
01:01:17,360 --> 01:01:18,360
The heights.

724
01:01:19,140 --> 01:01:20,140
The heights.

725
01:01:22,820 --> 01:01:29,740
There, he shows the special person his
world and

726
01:01:29,740 --> 01:01:31,720
makes love to him.

727
01:01:36,240 --> 01:01:37,240
No, Arnie.

728
01:01:40,580 --> 01:01:43,680
The protagonist never, never makes love
in an Ibsen play.

729
01:01:45,920 --> 01:01:46,920
Arnold?

730
01:01:48,600 --> 01:01:49,600
What?

731
01:01:52,420 --> 01:01:53,540
I'm not like you.

732
01:01:55,900 --> 01:01:58,320
But I really love you. No, Arnold, I'm
sorry.

733
01:02:13,130 --> 01:02:14,130
Don't tell Roger.

734
01:02:14,210 --> 01:02:17,650
My job... Arnold, this job isn't your
last chance.

735
01:02:18,710 --> 01:02:19,710
But it is.

736
01:02:21,130 --> 01:02:22,130
Is it?

737
01:02:23,130 --> 01:02:24,470
Well, what about your wife?

738
01:02:25,310 --> 01:02:26,350
And your children?

739
01:02:28,370 --> 01:02:29,630
Are they just a front?

740
01:02:30,370 --> 01:02:32,750
I tolerate them. What does that mean?

741
01:02:36,810 --> 01:02:37,810
Let's get out of here.

742
01:04:13,480 --> 01:04:14,540
I'm being beeped.

743
01:04:16,780 --> 01:04:18,620
This is Stuart Goober. I'm with
Feinstein.

744
01:04:23,740 --> 01:04:24,860
You gotta be kidding.

745
01:04:25,580 --> 01:04:29,720
I'm not getting paid enough to be on
Rogers' beck and call at 6.30 in the

746
01:04:29,720 --> 01:04:30,720
morning.

747
01:05:11,080 --> 01:05:12,080
what's up

748
01:05:47,020 --> 01:05:49,840
Thank God you're here. You're not going
to believe what's happened. What is

749
01:05:49,840 --> 01:05:50,840
happening? Come on in.

750
01:05:52,940 --> 01:05:53,940
Follow me.

751
01:06:23,120 --> 01:06:23,960
hell is going on

752
01:06:23,960 --> 01:06:37,200
jesus

753
01:06:37,200 --> 01:06:40,820
roger came home and found that bobby
jackson had broken in and was hiding in

754
01:06:40,820 --> 01:06:45,120
his closet you remember bobby from big
time come on man you're brutalizing me

755
01:06:45,120 --> 01:06:50,520
shut up roger what what are you gonna do
kill the motherfucker no roger you don't

756
01:06:50,520 --> 01:06:51,520
want to do that

757
01:06:51,880 --> 01:06:53,260
Listen, Roger, we'll call the police.

758
01:06:53,560 --> 01:06:54,720
He broke into my house.

759
01:06:55,100 --> 01:06:56,540
A man's house is his castle.

760
01:06:56,840 --> 01:06:59,640
I don't care if he's black, white, red,
yellow, or turquoise.

761
01:06:59,960 --> 01:07:00,960
I'm going to kill him.

762
01:07:01,100 --> 01:07:02,540
It's my constitution, right?

763
01:07:03,320 --> 01:07:04,880
Stu, I'm afraid, man. It's silence.

764
01:07:05,520 --> 01:07:06,520
Couldn't you do anything?

765
01:07:06,840 --> 01:07:08,600
No, I called you. What am I fucking
with?

766
01:07:09,100 --> 01:07:10,100
Careful there, Stu.

767
01:07:14,380 --> 01:07:16,140
Hey, what's going on?

768
01:07:16,480 --> 01:07:17,480
What happened?

769
01:09:57,610 --> 01:09:58,730
You sure I won't need this?

770
01:09:59,650 --> 01:10:00,730
Not where you're going.

771
01:10:03,830 --> 01:10:05,270
You really like it, don't you?

772
01:10:06,410 --> 01:10:09,690
Yeah. Well, take it, but you're not
going to need it.

773
01:10:24,940 --> 01:10:26,920
Why don't you go into the bedroom? It
could be reporters.

774
01:10:38,680 --> 01:10:42,480
Well, if it isn't honky Casanova.

775
01:10:43,500 --> 01:10:44,980
Please, Dana, let me see Cece.

776
01:10:45,900 --> 01:10:48,080
Maybe it's not cool at all for you to be
here.

777
01:10:49,320 --> 01:10:51,300
It may be injurious to your health.

778
01:10:52,540 --> 01:10:53,580
Let us hear it, Dana.

779
01:10:54,340 --> 01:10:58,140
Let's fucking stay here. You ain't gonna
see her. And if you hear when Hunter

780
01:10:58,140 --> 01:11:00,440
gets back, he's gonna break you in half.
So get away.

781
01:11:00,660 --> 01:11:01,980
Please, Dana, let him in.

782
01:11:02,940 --> 01:11:03,940
Are you crazy?

783
01:11:04,760 --> 01:11:06,400
Hasn't there been enough trouble around
here?

784
01:11:06,980 --> 01:11:09,880
Things have gotta get back to normal.
Well, I ain't mad at him.

785
01:11:10,560 --> 01:11:13,860
Listen, little sister, you can be crazy
as you like, but that fight man is not

786
01:11:13,860 --> 01:11:14,860
setting foot in here.

787
01:11:25,550 --> 01:11:26,550
I just found out.

788
01:11:27,790 --> 01:11:28,790
It's okay, honey.

789
01:11:29,150 --> 01:11:30,570
They think Roger's responsible.

790
01:11:31,870 --> 01:11:32,870
Yeah, I know.

791
01:11:33,930 --> 01:11:36,270
Hey, what you guys try to do to Bobby
Jackson?

792
01:11:36,510 --> 01:11:37,249
Kill him?

793
01:11:37,250 --> 01:11:38,390
You know Roger's crazy.

794
01:11:40,770 --> 01:11:42,210
Hey, is Bobby all right?

795
01:11:42,870 --> 01:11:44,290
Oh, he's a little hurt.

796
01:11:44,750 --> 01:11:46,130
His pride, mostly.

797
01:11:47,130 --> 01:11:49,590
Except he says he's going to get himself
a piece now.

798
01:11:50,550 --> 01:11:52,050
He's not going to hurt anyone.

799
01:11:53,670 --> 01:11:54,670
What about you?

800
01:11:56,750 --> 01:11:57,750
I don't know.

801
01:11:58,190 --> 01:11:59,190
She's gone away.

802
01:12:01,150 --> 01:12:04,890
Susan, are you going to have an
abortion?

803
01:12:06,730 --> 01:12:09,670
I don't know. I think I'm going to have
the babies do it.

804
01:12:12,370 --> 01:12:13,470
What about your career?

805
01:12:14,970 --> 01:12:16,230
Well, it's over, I guess.

806
01:12:17,570 --> 01:12:20,470
People here are pretty pissed off at me.
They spent a lot of money.

807
01:12:22,530 --> 01:12:23,650
Where are they sending you to?

808
01:12:25,950 --> 01:12:26,950
Cece!

809
01:12:27,210 --> 01:12:28,210
Shut up!

810
01:12:28,710 --> 01:12:30,750
Ain't just a lot of niggers down there,
baby.

811
01:12:31,910 --> 01:12:35,070
No place for a candy-ass boy like you.

812
01:12:36,210 --> 01:12:37,390
Now that's it with him.

813
01:12:38,070 --> 01:12:39,510
You shut your mouth, you hear?

814
01:12:41,210 --> 01:12:44,870
Please, Stuart, you better go. She's not
kidding about Hunter coming back. He

815
01:12:44,870 --> 01:12:46,410
just went to get us something to drink.

816
01:12:46,630 --> 01:12:47,670
He could hurt you.

817
01:12:48,630 --> 01:12:49,630
Please go.

818
01:12:51,670 --> 01:12:52,670
Okay, Cece.

819
01:12:53,590 --> 01:12:54,930
I hope I see you someday.

820
01:13:00,560 --> 01:13:02,120
Make me a part of your past too.

821
01:14:03,950 --> 01:14:04,950
Good morning, Stuart.

822
01:14:07,310 --> 01:14:10,070
Well, I like that. I don't even get a
goddamn hello.

823
01:14:11,890 --> 01:14:12,890
Goddamn hello.

824
01:14:27,770 --> 01:14:28,770
Stuart's here.

825
01:14:29,390 --> 01:14:30,390
Send him in.

826
01:14:30,670 --> 01:14:31,670
You heard him.

827
01:14:49,250 --> 01:14:51,650
Morning I'll sit down make yourself
comfortable

828
01:14:51,650 --> 01:14:56,750
Quite

829
01:14:56,750 --> 01:15:03,050
a night last night

830
01:15:03,050 --> 01:15:09,830
Yeah, I Take

831
01:15:09,830 --> 01:15:12,470
it we lost big-time contracts.

832
01:15:13,910 --> 01:15:14,930
I doubt it

833
01:15:16,190 --> 01:15:17,630
They're acting as if nothing happened.

834
01:15:19,230 --> 01:15:20,330
They want it kept quiet.

835
01:15:20,990 --> 01:15:21,990
What happened?

836
01:15:23,550 --> 01:15:27,410
I guess they know that if they broke our
contracts, then it was to be all over

837
01:15:27,410 --> 01:15:28,410
town.

838
01:15:29,130 --> 01:15:30,630
After all, we are a PR firm.

839
01:15:32,510 --> 01:15:33,950
White magic, black magic.

840
01:15:34,810 --> 01:15:35,810
What was it?

841
01:15:37,530 --> 01:15:39,130
Man builds and man destroys.

842
01:15:41,030 --> 01:15:42,030
Sort of.

843
01:15:42,690 --> 01:15:44,070
We'll keep the big-time contracts.

844
01:15:45,390 --> 01:15:46,870
Except, of course, for Cece.

845
01:15:47,450 --> 01:15:48,510
She's probably through.

846
01:15:52,250 --> 01:15:53,250
Stu.

847
01:15:55,110 --> 01:15:56,130
I'm promoting you.

848
01:15:56,830 --> 01:15:57,830
What?

849
01:15:58,050 --> 01:15:59,070
I'm promoting you.

850
01:16:01,350 --> 01:16:02,390
You're all right, Stu.

851
01:16:03,650 --> 01:16:05,790
You didn't think I was going to punish
you for humping Cece.

852
01:16:06,710 --> 01:16:08,130
I've done the same thing myself.

853
01:16:09,790 --> 01:16:10,890
Things like that happen.

854
01:16:11,750 --> 01:16:12,890
Rods get banged up.

855
01:16:15,280 --> 01:16:17,340
In fact, to me, you've proven you're a
man.

856
01:16:18,540 --> 01:16:19,540
That's what's important.

857
01:16:20,540 --> 01:16:21,540
You're virile.

858
01:16:21,980 --> 01:16:22,980
You're a man.

859
01:16:24,300 --> 01:16:25,300
You're one of us.

860
01:16:38,680 --> 01:16:40,240
This is going to be a big surprise.

861
01:16:40,740 --> 01:16:42,060
A big surprise.

862
01:16:43,560 --> 01:16:44,560
They're going to love it.

863
01:16:45,610 --> 01:16:48,130
Are you sure you've weeded out all of
them are going to be offended by

864
01:16:48,130 --> 01:16:49,130
something like this?

865
01:16:49,610 --> 01:16:52,370
Yes, Roger. You must never offend the
press.

866
01:16:58,810 --> 01:17:00,070
You're going to love this.

867
01:17:00,570 --> 01:17:01,570
Oh, really?

868
01:17:01,750 --> 01:17:02,750
Yeah, really.

869
01:17:05,610 --> 01:17:12,070
Are you ready, Roger? Not

870
01:17:12,070 --> 01:17:13,070
just yet.

871
01:17:20,670 --> 01:17:21,670
Lights! Okay,

872
01:17:22,710 --> 01:17:27,870
Joe, come on.

873
01:17:30,750 --> 01:17:35,690
Hi there, I'm Joe Lippman, and tonight
we're going to play Pump the Stars, or

874
01:17:35,690 --> 01:17:38,150
What's Behind the Curtain. And remember,
what's behind the curtain is what you're

875
01:17:38,150 --> 01:17:40,470
going to get. Now, if one of our
luscious ladies will deliver the name of

876
01:17:40,470 --> 01:17:41,470
the first contestant.

877
01:17:43,660 --> 01:17:44,660
Thank you, sweetheart.

878
01:17:45,180 --> 01:17:48,960
Ho, ho, ho. The first contestant is Tom
Anderson of television today.

879
01:17:49,420 --> 01:17:51,140
Tom Anderson, come on in.

880
01:17:52,540 --> 01:17:55,220
Okay, Tom. We're going to give you a
chance to spin a big wheel of portion

881
01:17:55,220 --> 01:17:57,520
over there. Remember, it must make one
complete revolution in order for you to

882
01:17:57,520 --> 01:18:01,340
qualify. Where it ends up will determine
what your topic is and where we get your

883
01:18:01,340 --> 01:18:02,680
question from the magic hole in the wall
board.

884
01:18:03,000 --> 01:18:06,780
In fact, if you play your cards right
and pick the right hole, you may get a

885
01:18:06,780 --> 01:18:07,780
little something extra tonight.

886
01:18:08,340 --> 01:18:09,340
Okay, girls.

887
01:18:20,560 --> 01:18:22,000
Number eight, Tom, that's terrific.

888
01:18:22,440 --> 01:18:24,400
Okay, girls, take them over to the magic
hole board.

889
01:18:25,260 --> 01:18:27,860
And, Tom, if you'll just stick your hand
in the magic hole number eight and pull

890
01:18:27,860 --> 01:18:28,860
out a question.

891
01:18:31,880 --> 01:18:35,820
Oh, my God.

892
01:18:40,860 --> 01:18:41,860
Well,

893
01:18:42,020 --> 01:18:43,460
what's the matter, Tom? Just pull out a
question.

894
01:18:46,480 --> 01:18:47,480
Pretty nice, huh?

895
01:18:47,780 --> 01:18:48,780
Mm-hmm.

896
01:18:51,850 --> 01:18:52,890
But wait just a second, folks.

897
01:18:53,190 --> 01:18:55,530
Don't you think Tom deserves a little
bit more than that? I mean, after all, a

898
01:18:55,530 --> 01:18:57,530
top TV writer should at least get his
rocks off.

899
01:18:57,850 --> 01:18:58,950
Okay, girls, go to it.

900
01:19:18,230 --> 01:19:19,230
Okay, Tom.

901
01:19:19,410 --> 01:19:20,490
Okay, Tom, that's enough already.

902
01:19:20,800 --> 01:19:23,240
Tom, will you get your question and come
over here, please? There's a lot more to

903
01:19:23,240 --> 01:19:24,240
go.

904
01:19:29,140 --> 01:19:30,140
Okay.

905
01:19:31,980 --> 01:19:35,060
Now for your question and your chance to
win what's behind the curtain.

906
01:19:35,580 --> 01:19:36,900
The subject is Hollywood.

907
01:19:37,780 --> 01:19:40,900
First, let's give the audience a chance
to find out what he has to win.

908
01:19:41,200 --> 01:19:46,080
A 300-pound Polish bulldog complete with
built-in SandM features will be the prize

909
01:19:46,080 --> 01:19:47,680
for our lucky contestant.

910
01:19:48,160 --> 01:19:49,520
Okay, Tom, your question.

911
01:19:49,820 --> 01:19:51,440
What is Tony Curtis' real name?

912
01:19:52,060 --> 01:19:53,060
Bernie Short.

913
01:19:53,200 --> 01:19:53,978
That's right.

914
01:19:53,980 --> 01:19:55,560
You get to enter the box.

915
01:20:22,130 --> 01:20:24,890
Right here on this stage. For a 12-6
cage.

916
01:20:25,250 --> 01:20:27,750
Equipped for any age. Woo! Money is
safe.

917
01:20:28,130 --> 01:20:33,370
A house over a day. At least for a day
or maybe two. In the booty of the

918
01:20:33,370 --> 01:20:34,370
century.

919
01:21:23,760 --> 01:21:24,760
I quit.

920
01:21:31,760 --> 01:21:33,720
Marvin. Congratulations, Stu.

921
01:21:52,910 --> 01:21:53,910
Would you come in here, please?

922
01:21:59,070 --> 01:22:03,010
What do you want us to do, kiss your
ass?

923
01:22:04,170 --> 01:22:05,850
You think you're different than us,
don't you?

924
01:22:06,510 --> 01:22:08,790
I'll have you know, I'm an art
collector.

925
01:22:09,190 --> 01:22:10,910
Look, I don't want to hurt anyone's
feelings.

926
01:22:11,810 --> 01:22:12,890
I just want to go.

927
01:22:14,110 --> 01:22:15,110
Is that all?

928
01:22:15,430 --> 01:22:20,090
Oh, I had such high hopes for you when
you cut your hair. That was quite a

929
01:22:20,090 --> 01:22:21,790
sacrifice, huh? Is that all?

930
01:22:23,430 --> 01:22:25,830
You think your shit doesn't smell?
Please, Marvin.

931
01:22:27,770 --> 01:22:28,770
Stuart!

932
01:22:30,650 --> 01:22:31,650
Didn't you forget something?

933
01:22:33,790 --> 01:22:34,728
The key.

934
01:22:34,730 --> 01:22:35,730
The beeper.

935
01:23:56,780 --> 01:23:58,100
I don't like it down there anymore.

936
01:24:00,860 --> 01:24:02,380
It's not harmless nonsense.

937
01:24:05,140 --> 01:24:06,740
They hurt people down there.

938
01:24:11,280 --> 01:24:12,360
They hurt Marvin.

939
01:24:15,300 --> 01:24:16,440
They hurt Arnold.

940
01:24:17,360 --> 01:24:18,580
They even hurt Caesar.

941
01:24:23,220 --> 01:24:24,820
I just can't take it anymore.

942
01:24:40,110 --> 01:24:41,130
Will you take me back?

943
01:24:45,410 --> 01:24:46,970
There's no more five-year plan.

944
01:25:10,960 --> 01:25:11,960
Can I stay here?

945
01:26:23,950 --> 01:26:30,330
Down, down in Hollywood town, the lost
and found come to find their way.

946
01:26:30,550 --> 01:26:36,850
Walking outside, the feelings they hide,
putting their pride through well-known

947
01:26:36,850 --> 01:26:37,850
pain.

948
01:26:37,950 --> 01:26:40,030
Stranger, I know you.

949
01:26:40,890 --> 01:26:47,710
We learn to walk together, loners,
wondering whether we

950
01:26:47,710 --> 01:26:48,850
really are.

951
01:26:55,340 --> 01:27:02,200
Images of sister brothers standing off
from one another, but not

952
01:27:02,200 --> 01:27:03,420
very far.

953
01:27:04,620 --> 01:27:11,360
Down, down in Hollywood town, the bus is
bound on the primary way.

954
01:27:11,380 --> 01:27:16,660
Walking outside, the feelings they hide,
wasn't their pride too well?

955
01:27:28,590 --> 01:27:29,590
out the nose

956
01:28:00,110 --> 01:28:03,770
small affection each other's heart

957
01:28:28,720 --> 01:28:30,240
reaching out to know those